In July 2007, Miloco launched a brand new engineer management company, Interface, which represents some of the most exciting producers and engineers arriving on the scene.
Each of the Interface engineers feature on the roster because they know studios
inside out and have the right mindset to work with any client that comes their way. Between them they have many years of experience working on a vast range of musical genres,
and are all highly skilled and reputed in all aspects of recording
and mixing. Not only do they work for Miloco, but also at many top studios around the world on a regular basis. For further details on the Interface engineer roster
visit www.interfaceyourmusic.com
In addition to the Interface roster we also have a number of in-house engineers who are fantastically accomplished having trained with us as studio assistants. These engineers are run under the Miloco in-house Management umbrella by the Miloco office staff. If you cannot stretch to the Interface engineers then why not try some of our new stars on the block...
Please roll over the images on this page for further information on all of our engineers, including up-to-date biogs and CVs.
In addition to the Interface roster we also have a number of in-house engineers who are fantastically accomplished having trained with us as studio assistants. These engineers are run under the Miloco in-house Management umbrella by the Miloco office staff. If you cannot stretch to the Interface engineers then why not try some of our new stars on the block...
Please roll over the images on this page for further information on all of our engineers, including up-to-date biogs and CVs.
In addition to our Interface rosta we also have a number of inhouse engineers who are fantastically accomplished and have trained with us as assistants so know
the studios inside out. These engineers are run under the Miloco Management umbrella. If you cannot stretch to the
Interface engineers then why not try some of our new stars on the block. Here is a selection of some of our newcomers who will be the Interface engineers and
producers of the future.
Pete Hofmann
Interface Engineer / Producer
Further Details: click here.
Pete has been engineering for over fifteen years, cutting his teeth in the the 90s with bands such as Elastica, Shed 7 and Black Box Recorder who he went on to produce most notably with the album The Facts of Life.
However it is his love of edgy electronic pop music that has led him to work alongside Richard X mixing hits for Kelis, MIA, Rachel Stevens and most recently with Goldfrapp and Steve Mason (formerly of the Beta Band).
Pete also works regularly with producer Lucas Secon, in particular looking after vocals and mixing most notably for artists including Jordyn Sparks, Toni Braxton, and most recently with Kylie on tracks for her new album.
Pete is currently mixing new material from Alexandra Burke, Pixie Lott, Mirrors, and DJ Skream...
Interface Engineer / Producer
Further Details: click here.
Pete has been engineering for over fifteen years, cutting his teeth in the the 90s with bands such as Elastica, Shed 7 and Black Box Recorder who he went on to produce most notably with the album The Facts of Life.
However it is his love of edgy electronic pop music that has led him to work alongside Richard X mixing hits for Kelis, MIA, Rachel Stevens and most recently with Goldfrapp and Steve Mason (formerly of the Beta Band).
Pete also works regularly with producer Lucas Secon, in particular looking after vocals and mixing most notably for artists including Jordyn Sparks, Toni Braxton, and most recently with Kylie on tracks for her new album.
Pete is currently mixing new material from Alexandra Burke, Pixie Lott, Mirrors, and DJ Skream...
Matt Hyde
Interface Producer / Mixer / Recording Engineer
Further Details: click here.
Matt's attention to detail is second to none. Add to this, his strong technological background and in-depth knowledge of both band backline, and studio equipment, you see why he's one of the most capable producer engineers in town, and the fastest protools user we know!
Matt has been working in studios for almost ten years and has built his reputation working with established and up and coming indie acts, as well as cutting edge heavy rock and metal bands. He's become a favourite engineer with legendary producer Colin Richardson and has helped record and mix albums for the likes of Slipknot and Chimaira. Matt has been able to make full use of his musical background, producing projects for French act Mass Hysteria, Fightstar, Ash and South African sensation Crash Car Burn, amongst others.
Interface Producer / Mixer / Recording Engineer
Further Details: click here.
Matt's attention to detail is second to none. Add to this, his strong technological background and in-depth knowledge of both band backline, and studio equipment, you see why he's one of the most capable producer engineers in town, and the fastest protools user we know!
Matt has been working in studios for almost ten years and has built his reputation working with established and up and coming indie acts, as well as cutting edge heavy rock and metal bands. He's become a favourite engineer with legendary producer Colin Richardson and has helped record and mix albums for the likes of Slipknot and Chimaira. Matt has been able to make full use of his musical background, producing projects for French act Mass Hysteria, Fightstar, Ash and South African sensation Crash Car Burn, amongst others.
Finn Eiles
Interface Recording and Mix Engineer
Further Details: click here.
Finn has been engineering for the past seven years. He rose swiftly through the ranks from assistant to engineer and his skills are increasingly in demand. Finn has excellent across-the-board knowledge - from the workings of the old analogue equipment to the latest Protools HD system.
His attention to detail and methodical approach means he will stop at nothing to get the best results, using every ounce and watt of the equipment at his disposal. This dedication is wonderfully complemented by his laid back and calm approach that guarantees a relaxing and rewarding recording experience for all. This has helped him work for for producers such as Jim Abbiss, Kevin Shields and Simon Raymonde, as well as for numerous up and coming bands. His knowledge of the music scene helps him to make records that are effortlessly current and cutting edge.
Finn has recently been engineering tracks for the forthcoming Jack Penate album with Jim Abbiss and doing various mixes for the likes of The Dears, Razorlight, and Acoustic Ladyland.
Interface Recording and Mix Engineer
Further Details: click here.
Finn has been engineering for the past seven years. He rose swiftly through the ranks from assistant to engineer and his skills are increasingly in demand. Finn has excellent across-the-board knowledge - from the workings of the old analogue equipment to the latest Protools HD system.
His attention to detail and methodical approach means he will stop at nothing to get the best results, using every ounce and watt of the equipment at his disposal. This dedication is wonderfully complemented by his laid back and calm approach that guarantees a relaxing and rewarding recording experience for all. This has helped him work for for producers such as Jim Abbiss, Kevin Shields and Simon Raymonde, as well as for numerous up and coming bands. His knowledge of the music scene helps him to make records that are effortlessly current and cutting edge.
Finn has recently been engineering tracks for the forthcoming Jack Penate album with Jim Abbiss and doing various mixes for the likes of The Dears, Razorlight, and Acoustic Ladyland.
Ben Thackeray
Interface Recording and Mix Engineer
Further Details: click here.
Relaxed, friendly, talented and unflappable, Ben is the perfect man to have at your side in the studio. Combining a fantastic knowledge of studio operations with the kind of chilled out demeanor that's essential to ensure smooth and enjoyable sessions, he's been busy of late with the likes of Malakai, Engineers, Charles Campbell-Jones, The Fields and The Spinto Band.
Starting his career at Mark Angelos Studios, he then moved to Mayfair Studios where he earned his spurs as a highly reliable, hard-working and knowledgeable assistant. In 2003 he left Mayfair studios to join Miloco studios as an assistant where he swiftly graduated to engineer.
Imbued with a frankly legendary calming influence and a first class knowledge of Protools, he's allied these skills with the know-how built up over years working alongside some of the industry's top producers, not least Steve Dub.
Interface Recording and Mix Engineer
Further Details: click here.
Relaxed, friendly, talented and unflappable, Ben is the perfect man to have at your side in the studio. Combining a fantastic knowledge of studio operations with the kind of chilled out demeanor that's essential to ensure smooth and enjoyable sessions, he's been busy of late with the likes of Malakai, Engineers, Charles Campbell-Jones, The Fields and The Spinto Band.
Starting his career at Mark Angelos Studios, he then moved to Mayfair Studios where he earned his spurs as a highly reliable, hard-working and knowledgeable assistant. In 2003 he left Mayfair studios to join Miloco studios as an assistant where he swiftly graduated to engineer.
Imbued with a frankly legendary calming influence and a first class knowledge of Protools, he's allied these skills with the know-how built up over years working alongside some of the industry's top producers, not least Steve Dub.
Matt Foster
Interface Producer, Programmer & Engineer
Further Details: click here.
Driven from an early age by his love of music, Matt decided the only option for him was to pursue a career in the recording industry. Starting out as a trainee tape op for EMI Music studios, he went on to work as a freelance assistant engineer for many of London's top studios.
Armed with the knowledge he gained from rubbing shoulders with many top-flight engineers and producers, Matt soon graduated to recording and mixing top ten chart hits of his own (e.g. The Corrs and Tin Tin Out). In 2000 he joined up with Morgan Khan and his new label MWA, and began cutting house, hip-hop, R'n'B and both U.S. & U.K. garage records.
He then took the next logical step in his career and teamed up with Miloco studios. Since then he has expanded his skills and is writing music designed for TV/Film, collaborating with a number of artists and occupying many of Miloco's fine recording studios as well as other renowned recording emporiums.
Interface Producer, Programmer & Engineer
Further Details: click here.
Driven from an early age by his love of music, Matt decided the only option for him was to pursue a career in the recording industry. Starting out as a trainee tape op for EMI Music studios, he went on to work as a freelance assistant engineer for many of London's top studios.
Armed with the knowledge he gained from rubbing shoulders with many top-flight engineers and producers, Matt soon graduated to recording and mixing top ten chart hits of his own (e.g. The Corrs and Tin Tin Out). In 2000 he joined up with Morgan Khan and his new label MWA, and began cutting house, hip-hop, R'n'B and both U.S. & U.K. garage records.
He then took the next logical step in his career and teamed up with Miloco studios. Since then he has expanded his skills and is writing music designed for TV/Film, collaborating with a number of artists and occupying many of Miloco's fine recording studios as well as other renowned recording emporiums.
Andy Savours
Miloco in-house Engineer
Further Details: click here.
After a stint touring the toilet venues of the UK playing bass guitar Andy began working for producer Flood in 2003 as an assistant at the Bedroom Studios. Here he had the opportunity to get to grips with Flood's incredible collection of vintage microphones, outboard and modular synthesizers.
In 2003 he helped Flood and Alan Moulder set up Assault and Battery 1 and subsequently worked on mix projects with a wide range of high profile artists, producers and engineers. Andy has a rare insight into the mixing process having worked closely with Alan and Flood on the majority of their mix projects over the last few years.
Equally at home in the recording environment Andy is now house engineer at Flood's, Alan's and Miloco's new Assault and Battery 2 tracking space and has recently been engineering for Mr Hudson and Younger Brother.
Miloco in-house Engineer
Further Details: click here.
After a stint touring the toilet venues of the UK playing bass guitar Andy began working for producer Flood in 2003 as an assistant at the Bedroom Studios. Here he had the opportunity to get to grips with Flood's incredible collection of vintage microphones, outboard and modular synthesizers.
In 2003 he helped Flood and Alan Moulder set up Assault and Battery 1 and subsequently worked on mix projects with a wide range of high profile artists, producers and engineers. Andy has a rare insight into the mixing process having worked closely with Alan and Flood on the majority of their mix projects over the last few years.
Equally at home in the recording environment Andy is now house engineer at Flood's, Alan's and Miloco's new Assault and Battery 2 tracking space and has recently been engineering for Mr Hudson and Younger Brother.
James Aparicio
Miloco in-house Engineer
Further Details: click here.
James's first real studio job came as an assistant at The Instrument, the inhouse studio for Mute records where he worked with many respected producers and engineers. For a while he was responsible for just about all the single edits that the label released at that time. He was soon given the position of House Engineer. Since the relocation of Mute and Closure of the studio James has been working for Miloco as well as engineering for and assisting Producer Gareth Jones on all of his projects.
Recently James has been engineering for some of London's most cutting edge bands These New Puritans, XX Teens, Ipso Facto and Ulterior.
Miloco in-house Engineer
Further Details: click here.
James's first real studio job came as an assistant at The Instrument, the inhouse studio for Mute records where he worked with many respected producers and engineers. For a while he was responsible for just about all the single edits that the label released at that time. He was soon given the position of House Engineer. Since the relocation of Mute and Closure of the studio James has been working for Miloco as well as engineering for and assisting Producer Gareth Jones on all of his projects.
Recently James has been engineering for some of London's most cutting edge bands These New Puritans, XX Teens, Ipso Facto and Ulterior.
Adrian Breakspear
Miloco in-house Engineer
Further Details: click here.
Adrian has been working in recording studios since graduating from Salford University in 2001. He began his career at Battery, and has since worked as an assistant at Abbey Road and Strongroom, before joining Miloco in 2006.
He is a confident and fluid Pro Tools operator, and is equally at home on Neve and SSL consoles (with a slight bias towards the latter, probably due to uncountable hours spent at The Yard!). He also has a keen interest in vintage and modern equipment, and is always keen to experiment with new techniques and approaches to recording.
Adrian regularly engineers for James Lewis (Stephen Budd Management) and is a regular assistant for Mike Crossey (Arctic Monkeys), Alex Dromgoole (Black Kids/Crystal Castles) and Markus Dravs (Coldplay/Arcade Fire), amongst others.
Miloco in-house Engineer
Further Details: click here.
Adrian has been working in recording studios since graduating from Salford University in 2001. He began his career at Battery, and has since worked as an assistant at Abbey Road and Strongroom, before joining Miloco in 2006.
He is a confident and fluid Pro Tools operator, and is equally at home on Neve and SSL consoles (with a slight bias towards the latter, probably due to uncountable hours spent at The Yard!). He also has a keen interest in vintage and modern equipment, and is always keen to experiment with new techniques and approaches to recording.
Adrian regularly engineers for James Lewis (Stephen Budd Management) and is a regular assistant for Mike Crossey (Arctic Monkeys), Alex Dromgoole (Black Kids/Crystal Castles) and Markus Dravs (Coldplay/Arcade Fire), amongst others.
Jon Olliffe
Recording and Mix Engineer
Further Details: click here.
Jon's first professional studio position was as in-house engineer at Jacob's, home to both Neve VR and SSL desks, where he worked with many leading producers and engineers including Stephen Street, Cenzo Townshend, Gil Norton and Ken Thomas. He quickly progressed to engineering first demos and then fully released tracks.
After a stint as a freelance assistant and engineer working with the likes of Steve Fitzmaurice, Tom Elmhirst and Jerry Boys he joined Miloco in 2006.
Jon spent the first few years of his career in a tape based studio but has been quick to embrace digital technology, using both formats to achieve the sound required.
Jon's small but ever-growing outboard collection helps further define his sound and he has started to build his own units.
Jon has recently engineered projects for Jade Jagger (soul), Ernest (Roots) Nkabinde (dance), The Duloks (alternative), Hayley Westenra (classical), The Rushing (Rock) and Shaun Anthony (r'n'b) and regularly assists for Chris Sheldon.
< Recording and Mix Engineer
Further Details: click here.
Jon's first professional studio position was as in-house engineer at Jacob's, home to both Neve VR and SSL desks, where he worked with many leading producers and engineers including Stephen Street, Cenzo Townshend, Gil Norton and Ken Thomas. He quickly progressed to engineering first demos and then fully released tracks.
After a stint as a freelance assistant and engineer working with the likes of Steve Fitzmaurice, Tom Elmhirst and Jerry Boys he joined Miloco in 2006.
Jon spent the first few years of his career in a tape based studio but has been quick to embrace digital technology, using both formats to achieve the sound required.
Jon's small but ever-growing outboard collection helps further define his sound and he has started to build his own units.
Jon has recently engineered projects for Jade Jagger (soul), Ernest (Roots) Nkabinde (dance), The Duloks (alternative), Hayley Westenra (classical), The Rushing (Rock) and Shaun Anthony (r'n'b) and regularly assists for Chris Sheldon.
Matt Paul
Miloco in-house Engineer
Further Details: click here.
Matt career started at Metropolis Studios in 2001 where he worked his way from night reception to house engineer. In his time there, he formed close working relationships with a wide variety of producers, working with amongst others, Mick Jones on the Libertines and Babyshambles records, Chris Potter on Richard Ashcroft and The Verve, Mike Crossey on Foals, Tom Elmhirst on Hot Chip and Grace Jones, and Mark Ronson on Amy Winehouse's 'Back to Black', for which he was Grammy nominated. Matt went freelance in early 2008.
As well as the obligitory Protools, Matt is a fast Logic user, which he uses on his own tracks and remixes under the 'Rat Scallion' moniker, and as one half of newly formed production / remix partnership 'Fish Out Of Water' with producer Declan Gaffney.
Recently Matt has remixed a number of U2 singles, programmed incidental music for their 360 World tour, recorded and mixed a live session for One Little Indian signed Official Secrets Act, and been recording tracks for new Big Life act Flamboyant Bella.
Miloco in-house Engineer
Further Details: click here.
Matt career started at Metropolis Studios in 2001 where he worked his way from night reception to house engineer. In his time there, he formed close working relationships with a wide variety of producers, working with amongst others, Mick Jones on the Libertines and Babyshambles records, Chris Potter on Richard Ashcroft and The Verve, Mike Crossey on Foals, Tom Elmhirst on Hot Chip and Grace Jones, and Mark Ronson on Amy Winehouse's 'Back to Black', for which he was Grammy nominated. Matt went freelance in early 2008.
As well as the obligitory Protools, Matt is a fast Logic user, which he uses on his own tracks and remixes under the 'Rat Scallion' moniker, and as one half of newly formed production / remix partnership 'Fish Out Of Water' with producer Declan Gaffney.
Recently Matt has remixed a number of U2 singles, programmed incidental music for their 360 World tour, recorded and mixed a live session for One Little Indian signed Official Secrets Act, and been recording tracks for new Big Life act Flamboyant Bella.
Daniel Rejmer
Interface Recording and Mix Engineer
Further Details: click here.
Daniel started his career in Melbourne, Australia, where he cut his teeth at Sing Sing Studios assisting on sessions for some of the best producers and engineers on the planet, including Tom Lord-Alge (Weezer, Oasis, Hole) Nick Launey (Nick Cave and the Bad Seeds, Grinderman, Yeah Yeah Yeah's, Arcade Fire), and Mark Howard (Bob Dylan, Daniel Lanois, REM, Johnny Cash, Emmylou Harris) to name just a few.
He quickly moved on to producing and engineering for bands in Australia, but soon he got itchy feet and decided to pack his bags and move to sunny London, which led him to Miloco Studios.
Since re-locating to England, Daniel has engineered and mixed Billy Bragg's new album, forthcoming material from Joe Lean and the Jing Jang Jong and remixes for Bjork. He has also worked with The Kills, Noah and the Whale, Valgeir Sigurdsson, Luther Russell and Angie Hart.
Interface Recording and Mix Engineer
Further Details: click here.
Daniel started his career in Melbourne, Australia, where he cut his teeth at Sing Sing Studios assisting on sessions for some of the best producers and engineers on the planet, including Tom Lord-Alge (Weezer, Oasis, Hole) Nick Launey (Nick Cave and the Bad Seeds, Grinderman, Yeah Yeah Yeah's, Arcade Fire), and Mark Howard (Bob Dylan, Daniel Lanois, REM, Johnny Cash, Emmylou Harris) to name just a few.
He quickly moved on to producing and engineering for bands in Australia, but soon he got itchy feet and decided to pack his bags and move to sunny London, which led him to Miloco Studios.
Since re-locating to England, Daniel has engineered and mixed Billy Bragg's new album, forthcoming material from Joe Lean and the Jing Jang Jong and remixes for Bjork. He has also worked with The Kills, Noah and the Whale, Valgeir Sigurdsson, Luther Russell and Angie Hart.
Oliver Wright
Miloco in-house Engineer
Further Details: click here.
Oliver began his career at Mute Records as a runner in their inhouse studio.
He then moved on to become an assistant and started working at Miloco with a variety of different producers on projects such as Arctic Monkeys, Franz Ferdinand, Nick Cave And The Bad Seeds and Foals to name a few.
Oliver swiftly moved on to Engineering and has worked on a wide range of Mixing, Writing and Recording sessions.
He has recently mixed a debut album with Belgian Italo pop band Aeroplane, recorded the debut solo album by Carl Barat and has been working heavily along side producer Jeymes Samuel on a wide range of projects from KT Tunstall to Jay Electronica.
Miloco in-house Engineer
Further Details: click here.
Oliver began his career at Mute Records as a runner in their inhouse studio.
He then moved on to become an assistant and started working at Miloco with a variety of different producers on projects such as Arctic Monkeys, Franz Ferdinand, Nick Cave And The Bad Seeds and Foals to name a few.
Oliver swiftly moved on to Engineering and has worked on a wide range of Mixing, Writing and Recording sessions.
He has recently mixed a debut album with Belgian Italo pop band Aeroplane, recorded the debut solo album by Carl Barat and has been working heavily along side producer Jeymes Samuel on a wide range of projects from KT Tunstall to Jay Electronica.
Clive Martin
Interface Producer, Mixer, Engineer
Further Details: click here.
From the very start of his career, Clive found himself assisting on hit albums for artists such as Nick Cave & The Bad Seeds, The Cure, Tears For Fears, Cabaret Voltaire and U2. Soon promoted to engineer he proceeded to work with acts like Sting, Queen, David Byrne & Siousxie & The Banshees before going to Australia in '88 where he honed his production skills and turned out numerous hits for Crowded House, T.I.S.M, Midnight Oil & Hunters and Collectors.
Clive has since gone on to establish an International career for himself since producing Les Negresses Verts for Virgin France and subsequent high profile acts for other French labels to discovering and signing bands such as Reef, Puressense, "A", Mansun for Island Records back in the UK.
With his carefully thought out approach to pre-production, Clive maximises every minute spent in the studio, ensuring the possibility of channeling as many ideas into the session to achieve the required ingredients for the perfect result.
Interface Producer, Mixer, Engineer
Further Details: click here.
From the very start of his career, Clive found himself assisting on hit albums for artists such as Nick Cave & The Bad Seeds, The Cure, Tears For Fears, Cabaret Voltaire and U2. Soon promoted to engineer he proceeded to work with acts like Sting, Queen, David Byrne & Siousxie & The Banshees before going to Australia in '88 where he honed his production skills and turned out numerous hits for Crowded House, T.I.S.M, Midnight Oil & Hunters and Collectors.
Clive has since gone on to establish an International career for himself since producing Les Negresses Verts for Virgin France and subsequent high profile acts for other French labels to discovering and signing bands such as Reef, Puressense, "A", Mansun for Island Records back in the UK.
With his carefully thought out approach to pre-production, Clive maximises every minute spent in the studio, ensuring the possibility of channeling as many ideas into the session to achieve the required ingredients for the perfect result.
Amir Amor
Interface Producer, Mixer, Programmer, Writer, Engineer, Multi-Instrumentalist
Further Details: click here.
Amir is an all-rounder in the studio; a programmer, producer, songwriter, mixer and multi-instrumentalist. Born in Iran, Amir moved to Britain at the age of 8 and was working in studios by the age of 16. His diverse musical tastes and technical prowess, together with his knack for arrangement and song writing ensure that he is well equipped to work with a wide range of clients. He is equally at home on anything from Pop to Indie to Hip Hop to Electro.
Through working with artist such as Plan B, Big Brovaz, Planet Funk, Simon Webbe, The Thirst & The Electric City, Amir linked up with Ben Esser to then join his band on tour as musician as well as production collaborator in the studio.
Interface Producer, Mixer, Programmer, Writer, Engineer, Multi-Instrumentalist
Further Details: click here.
Amir is an all-rounder in the studio; a programmer, producer, songwriter, mixer and multi-instrumentalist. Born in Iran, Amir moved to Britain at the age of 8 and was working in studios by the age of 16. His diverse musical tastes and technical prowess, together with his knack for arrangement and song writing ensure that he is well equipped to work with a wide range of clients. He is equally at home on anything from Pop to Indie to Hip Hop to Electro.
Through working with artist such as Plan B, Big Brovaz, Planet Funk, Simon Webbe, The Thirst & The Electric City, Amir linked up with Ben Esser to then join his band on tour as musician as well as production collaborator in the studio.
Laurence Aldridge
Miloco in-house Engineer
Further Details: click here.
After sacrificing a glittering career in Geography, Laurence made the break and started as a runner at Sony Music Studios London. Lucky enough to learn the ropes in both mastering and studio departments, he was one of the few staff to stay on when Robin Millar took over in 2002. Working with clients ranging from Kanye West and Madonna, to BBC World Music broadcasts and 70 piece orchestras provided a rare and valuable recording basis.
After a brief spell at RAK, Laurence began as an assistant at Miloco in January 2006, before graduating to being the engineering/Pro Tools op of choice for Steve Dub and Segs, working on projects including VV Brown, Aynzli Jones and Kid British.
Miloco in-house Engineer
Further Details: click here.
After sacrificing a glittering career in Geography, Laurence made the break and started as a runner at Sony Music Studios London. Lucky enough to learn the ropes in both mastering and studio departments, he was one of the few staff to stay on when Robin Millar took over in 2002. Working with clients ranging from Kanye West and Madonna, to BBC World Music broadcasts and 70 piece orchestras provided a rare and valuable recording basis.
After a brief spell at RAK, Laurence began as an assistant at Miloco in January 2006, before graduating to being the engineering/Pro Tools op of choice for Steve Dub and Segs, working on projects including VV Brown, Aynzli Jones and Kid British.
Tom Fuller
Miloco in-house Engineer
Further Details: click here.
Tom began his career working at The Dairy studios, quickly moving up through the ranks to in house engineer. After moving to Mayfair for a brief stint, Tom joined Miloco in 2009.
Being a musician at heart, Tom has the ability to approach the recording process from both the musical and technical angles, allowing him to be completely flexible in fulfilling the requirements for any project.
As well as engineering, Tom has recently played on a number of records (guitar & piano) and has been writing/producing for a number of up-and coming signed acts.
Miloco in-house Engineer
Further Details: click here.
Tom began his career working at The Dairy studios, quickly moving up through the ranks to in house engineer. After moving to Mayfair for a brief stint, Tom joined Miloco in 2009.
Being a musician at heart, Tom has the ability to approach the recording process from both the musical and technical angles, allowing him to be completely flexible in fulfilling the requirements for any project.
As well as engineering, Tom has recently played on a number of records (guitar & piano) and has been writing/producing for a number of up-and coming signed acts.
Matt Wiggins
Miloco in-house Engineer
Further Details: click here.
Matt began his career in 2004 at Studio 360, where he learned the ropes assisting Mike Peden on projects including Estelle and Delta Goodrem. During this period he also gained experience in live sound, running club nights, DJing and recording audio for TV broadcasting.
Since joining Miloco in 2007, Matt has worked across all of the London studios obtaining experience using a number of consoles including Neve, SSL, EMT and Amek. This has also enabled Matt to hone his skills using a diverse range of recording equipment from the classics to the bizarre.
Working with a variety of producers and artists including Paul Epworth on Jack Penate, Florence and the Machine and Bloc Party; Ben Hillier on Editors and The Magic Numbers; and more recently Spike Stent on HURTS, I Blame Coco and M.I.A, Matt has a wealth of experience across a range of genres.
Miloco in-house Engineer
Further Details: click here.
Matt began his career in 2004 at Studio 360, where he learned the ropes assisting Mike Peden on projects including Estelle and Delta Goodrem. During this period he also gained experience in live sound, running club nights, DJing and recording audio for TV broadcasting.
Since joining Miloco in 2007, Matt has worked across all of the London studios obtaining experience using a number of consoles including Neve, SSL, EMT and Amek. This has also enabled Matt to hone his skills using a diverse range of recording equipment from the classics to the bizarre.
Working with a variety of producers and artists including Paul Epworth on Jack Penate, Florence and the Machine and Bloc Party; Ben Hillier on Editors and The Magic Numbers; and more recently Spike Stent on HURTS, I Blame Coco and M.I.A, Matt has a wealth of experience across a range of genres.
Matt Lawrence
Interface Engineer, Producer, Mixer
Further Details: click here.
With Seventeen years in studios to date, Matt has worked with many musical legends including Van Morrison, The Rolling Stones, The Who and The White Stripes. Learning from past masters in analogue recording and production he long since been a lightning fast Protools user.
Due to his broad experience he is at home in any studio or situation and enjoys the challenge of making records in new and unusual ways. Whilst continuing with his mixing and engineering Matt is increasingly producing and writing with artists. Matt has recently been working with Keane and Mumford & Sons and is currently producing an album for Juan Zelada.
Interface Engineer, Producer, Mixer
Further Details: click here.
With Seventeen years in studios to date, Matt has worked with many musical legends including Van Morrison, The Rolling Stones, The Who and The White Stripes. Learning from past masters in analogue recording and production he long since been a lightning fast Protools user.
Due to his broad experience he is at home in any studio or situation and enjoys the challenge of making records in new and unusual ways. Whilst continuing with his mixing and engineering Matt is increasingly producing and writing with artists. Matt has recently been working with Keane and Mumford & Sons and is currently producing an album for Juan Zelada.
Darren Lawson
Miloco in-house Engineer
Further Details: click here.
Darren started out playing in and recording bands during his school years. After moving to London in 2005, he began his career at Metropolis before moving to Assault & Battery to train under Alan Moulder and Flood. This provided him with a thorough training as well as invaluable experience and knowledge in a variety of both mixing and recording techniques.
Having gained a unique insight into the worlds of mixing, recording and production, Darren has worked closely with Alan and Flood on numerous records by artists such as White Lies, Bloc Party, Placebo, Editors and Wolfmother .
Equally comfortable using Neve and SSL consoles Darren has recently engineered for Mission District and Asian Dub Foundation. He has also worked on the forthcoming Butch Vig-produced album by Against Me!, and has also worked with a variety of producers including Gil Norton, Ben Hillier, Paul Epworth and Jim Sclavunos.
He is currently working on the forthcoming White Lies record while continuing to record and mix for new up and coming acts, combining his technical skills with his own musical abilities.
Miloco in-house Engineer
Further Details: click here.
Darren started out playing in and recording bands during his school years. After moving to London in 2005, he began his career at Metropolis before moving to Assault & Battery to train under Alan Moulder and Flood. This provided him with a thorough training as well as invaluable experience and knowledge in a variety of both mixing and recording techniques.
Having gained a unique insight into the worlds of mixing, recording and production, Darren has worked closely with Alan and Flood on numerous records by artists such as White Lies, Bloc Party, Placebo, Editors and Wolfmother .
Equally comfortable using Neve and SSL consoles Darren has recently engineered for Mission District and Asian Dub Foundation. He has also worked on the forthcoming Butch Vig-produced album by Against Me!, and has also worked with a variety of producers including Gil Norton, Ben Hillier, Paul Epworth and Jim Sclavunos.
He is currently working on the forthcoming White Lies record while continuing to record and mix for new up and coming acts, combining his technical skills with his own musical abilities.
Russell Fawcus
Interface Engineer
Further Details: click here.
Russell started playing violin at age 4, but by the end of the 90's he was playing violin, piano, synths, guitars (and anything else he could get his hands on) in bands. This resulted in his first studio experience in 1999, on the other side of the glass - he was addicted.
So in 2003 he had landed his first studio job as an assistant engineer in a small, all analogue studio in Melbourne, Australia, which would kick start his love of tape machines and all things analogue. Then in 2005 he moved to Sing Sing Recording Studios in Melbourne, where he began working with and learning from some of the best engineers & producers in the world such as Jim Abbiss, Mark Howard, David Bianco & James 'Bonzai' Caruso. Having learnt his craft on Neves, SSLs, Tape & Pro Tools he is happy to utilise either analogue or digital formats to make records, but loves to combine the two, harnessing the advantages of both worlds.
By 2006 Russell had taken the leap and started working as a freelance recording/mix engineer demonstrating a natural technical ability as well as an incredibly calm & patient dedication to his projects. As a talented musician as well, he has also arranged for and played on many of the records he's worked on.
Since arrivingin the UK in 2008 Russell has been working constantly, recently engineering a new record for The Fall with producer Ross Orton, while continuing his work with Jim Abbiss on numerous projects.
Interface Engineer
Further Details: click here.
Russell started playing violin at age 4, but by the end of the 90's he was playing violin, piano, synths, guitars (and anything else he could get his hands on) in bands. This resulted in his first studio experience in 1999, on the other side of the glass - he was addicted.
So in 2003 he had landed his first studio job as an assistant engineer in a small, all analogue studio in Melbourne, Australia, which would kick start his love of tape machines and all things analogue. Then in 2005 he moved to Sing Sing Recording Studios in Melbourne, where he began working with and learning from some of the best engineers & producers in the world such as Jim Abbiss, Mark Howard, David Bianco & James 'Bonzai' Caruso. Having learnt his craft on Neves, SSLs, Tape & Pro Tools he is happy to utilise either analogue or digital formats to make records, but loves to combine the two, harnessing the advantages of both worlds.
By 2006 Russell had taken the leap and started working as a freelance recording/mix engineer demonstrating a natural technical ability as well as an incredibly calm & patient dedication to his projects. As a talented musician as well, he has also arranged for and played on many of the records he's worked on.
Since arrivingin the UK in 2008 Russell has been working constantly, recently engineering a new record for The Fall with producer Ross Orton, while continuing his work with Jim Abbiss on numerous projects.
Dan Goudie
Miloco in-house Engineer
Further Details: click here.
Easy-going, professional and musical, Dan's sessions are always productive and enjoyable.
With comprehensive experience in recording, mixing and producing rock and indie bands as well as pop and urban artists, Dan is a versatile engineer. He is speedy and thorough with the greatest and latest digital and analogue gear - be that Pro Tools or SSL and Neve consoles - and has an excellent knowledge of backline.
Being an adaptable vocalist, guitarist, drummer and songwriter he has an intimate understanding of how musical components fit together and how to apply that to sound. This affords Dan a particularly good understanding of the engineer-artist relationship enabling him to keep the atmosphere creative throughout the session.
After freelancing for several years and a year's in-house stint at The Chapel Studios, London, Dan joined Miloco in 2009 and has worked with influential producers and artists such as Steve Dub, Magnetic Man, Ash Howes, KT Tunstall, Gregg Alexander, The Saturdays, Jim Sclavunos, U2 and Dave McCracken.
Miloco in-house Engineer
Further Details: click here.
Easy-going, professional and musical, Dan's sessions are always productive and enjoyable.
With comprehensive experience in recording, mixing and producing rock and indie bands as well as pop and urban artists, Dan is a versatile engineer. He is speedy and thorough with the greatest and latest digital and analogue gear - be that Pro Tools or SSL and Neve consoles - and has an excellent knowledge of backline.
Being an adaptable vocalist, guitarist, drummer and songwriter he has an intimate understanding of how musical components fit together and how to apply that to sound. This affords Dan a particularly good understanding of the engineer-artist relationship enabling him to keep the atmosphere creative throughout the session.
After freelancing for several years and a year's in-house stint at The Chapel Studios, London, Dan joined Miloco in 2009 and has worked with influential producers and artists such as Steve Dub, Magnetic Man, Ash Howes, KT Tunstall, Gregg Alexander, The Saturdays, Jim Sclavunos, U2 and Dave McCracken.
 Pete Hofmann
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 Finn Eiles
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 Matt Foster
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 Matt Lawrence
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 Ben Thackeray
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 Russell Fawcus
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 Tom Fuller
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 Adrian Breakspear
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 Oliver Wright
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 Laurence Aldridge
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 Matt Wigggins
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 Darren Lawson
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 Dan Goudie
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